Промт для Seedance 2.5: двое друзей спорят о рёбрышках в саду

SCENE 1 (0:00-0:15) — ANNOUNCEMENT → CHECK → ARITHMETIC → RESCHEDULE
SHOT STRUCTURE: 6 shots, 15 seconds, 16:9, exactly as listed, no added shots

GLOBAL STYLE NOTES:
• lighting_philosophy: flat overcast daylight, a solid white sky with no sun disc anywhere, soft shadowless light on both faces, identical light level in every shot
• color_grade: 35mm film still, fine film grain, muted neutral, low saturation, dull green lawn, weathered timber fence, grey paving
• setting: an ordinary small back garden behind a terraced house, mid morning. A patch of tired lawn, a weathered timber fence along the back, a square paving slab area near the house with a plastic garden table and two plastic chairs, an old kettle grill standing on the slabs with its lid closed
• the grill is old and plain, the enamel chipped along the rim, the legs rusted at the feet. The garden table is bare except for one plain white plate and a covered tray
• ambience: birdsong, a lawnmower somewhere several gardens away, a light breeze in the fence line, no music
• CAMERA STYLE — LOCKED OFF THROUGHOUT: every shot sits on a fixed tripod, framing identical at the first and last frame of each shot. NO drift, NO shake, NO reframing, NO push in. 47° standard normal on every shot, no focal drift
• PROP OWNERSHIP: the plain white plate stays on the garden table for the whole scene, in every shot where the table is visible. Neither man ever picks it up, touches it or moves it. Exactly one plate exists in the scene
• characters:
  - COLIN: age 39, male. visual_anchors: close-cropped brown hair, light stubble, faded denim shirt over a plain white tee, khaki trousers, canvas sneakers. voice: warm brisk tenor, entirely sincere, American
  - WES: age 36, male. visual_anchors: curly reddish hair, clean shaven, plain charcoal zip-up hoodie, dark jeans, worn work boots. voice: dry even baritone, patient, American
  - both read as friends of the same generation, within 4 years of each other, no age gap, neither looks older than the other

SEQUENCE LIST:
SHOT 1 (0-3.5s) ESTABLISH — locked off WS, frontal on the garden
• vfx: none. Speed 100%
• first_frame: the timber fence and a strip of white sky fill y 0%-40%. The lawn runs across y 40%-72%. COLIN stands beside the closed grill at x 28%-46%, WES stands on the slabs at x 56%-74%, both y 22%-92%. The garden table with the plate on it sits at x 60%-90%, y 62%-78%
• action_visual: COLIN rests one hand on the closed grill lid, pleased with himself. WES stands with his hands in his hoodie pocket, waiting. SFX: birdsong, a distant lawnmower
• dialog: ONLY COLIN speaks, WES keeps his mouth closed with no lip movement on his face. COLIN (warm brisk tenor, entirely sincere), then says: 'It's National Baby Back Ribs Day.'
• exit: WES looks at the closed grill
(CUT TO)
SHOT 2 (3.5-6s) — locked off MS on WES, three-quarter 45°, the fence behind him
• vfx: none. Speed 100%
• action_visual: WES keeps his hands in his pocket and glances down at the grill, no suspicion in his face yet, just checking. SFX: birdsong, breeze in the fence line
• dialog: ONLY WES speaks, he is alone in the frame. WES (dry even baritone, patient), then says: 'When did you start?'
• exit: WES waits for the answer
(CUT TO)
SHOT 3 (6-8s) — locked off MCU on COLIN, frontal 0°
• vfx: none. Speed 100%
• action_visual: COLIN answers plainly, no hesitation, entirely untroubled by the number. SFX: birdsong, a distant lawnmower
• dialog: ONLY COLIN speaks, he is alone in the frame. COLIN (warm brisk tenor, entirely sincere), then says: 'Twenty minutes ago.'
• exit: COLIN keeps his hand on the grill lid
(CUT TO)
SHOT 4 (8-10.5s) — locked off MS on WES, identical composition to Shot 2
• vfx: none. Speed 100%
• action_visual: WES works it out without any triumph in it, delivering the number as a simple fact. SFX: birdsong, breeze
• dialog: ONLY WES speaks, he is alone in the frame. WES (dry even baritone, patient), then says: 'Ribs take six hours.'
• exit: WES keeps his hands in his pocket
(CUT TO)
SHOT 5 (10.5-13s) PUNCHLINE — locked off MCU on COLIN, identical composition to Shot 3
• vfx: none. Speed 100%
• action_visual: COLIN takes it in and accepts it completely, face calm and level, no dismay, no grin, entirely sincere, and lowers his hand from the grill lid to his side. SFX: birdsong
• dialog: ONLY COLIN speaks, immediately at the start of the shot, alone in the frame. COLIN (warm brisk tenor, entirely sincere), then says: 'So we eat at nine.'
• exit: COLIN stands with his hand at his side, nothing else changes
(CUT TO)
SHOT 6 (13-15s) FINAL HOLD — locked off ECU on the plain white plate on the garden table, NO FACE VISIBLE, no hand in frame, no smoke in frame, only the empty plate and the bare table top, the fence soft and out of focus far behind
• vfx: none. Speed 100%
• action_visual: nobody speaks, nothing moves through frame, total stillness for the full two seconds. SFX: birdsong and a distant lawnmower only
• exit: the empty plate sits undisturbed on the table

GENERATE FIRST: Shot 6 (faceless final hold on the empty plate), Shot 1 (locked off wide establish with the grill, both men and the table)