- Seedance 2.5
- 16:9
- Открытый промт
Промт для Seedance 2.5: погоня за автобусом в оранжевой куртке
Оригинал: Create a single continuous ultra-realistic 30-second comedic video following the same young man…
Смартфон-скетч: парень в оранжевой куртке гонится за уехавшим автобусом и залезает на крышу. Готовый вирусный клип для лайф-формата.
Непрерывный 30-секундный скетч в 16:9, снятый как случайный вирусный ролик на смартфон: парень в оранжевой куртке опаздывает на автобус, бросается за ним, цепляется за велосипедиста и залезает на крышу. Дрожащая камера, свет позднего дня, честная физика.
Поменяйте цвет куртки, город и время суток, но держите одежду героя и район съёмки неизменными — иначе он «переезжает» между локациями. Длительность и 16:9 задаются в настройках модели.
Промт
Create a single continuous ultra-realistic 30-second comedic video following the same young man desperately trying to catch a city bus after missing it by only a few seconds.
The video should feel like a spontaneous viral clip filmed by one of his friends on a modern smartphone — NOT like an advertisement, movie trailer, polished commercial, or staged comedy sketch.
The humor must come from a completely normal everyday situation escalating progressively into ridiculous physical commitment, while everyone else in the city behaves as if nothing unusual is happening.
MAIN CHARACTER:
A man around 25 years old, athletic but otherwise completely ordinary-looking, short messy dark brown hair, light stubble, wearing a distinctive plain BRIGHT ORANGE #FF4900 lightweight jacket with no logos or text, black T-shirt underneath, loose dark grey pants and white everyday sneakers.
His face, body proportions, hairstyle, orange jacket, pants and shoes must remain EXACTLY CONSISTENT for the entire 30-second video.
The orange jacket should naturally stand out against the environment and remain clearly recognizable throughout the sequence.
SETTING:
A realistic busy European city street during late afternoon.
Natural architecture, parked cars, pedestrians, bicycles, traffic lights, road markings, bus stops, storefronts and normal urban activity.
The bus is a completely ordinary modern city bus with NO visible company logo, advertisements or readable text.
The environment must remain geographically coherent. The character and bus are moving forward through the SAME neighborhood rather than teleporting between unrelated locations.
SEQUENCE:
Begin immediately with the funny situation. No establishing shot.
The smartphone camera is already recording from the sidewalk.
The young man runs toward a bus stop just as the bus doors close directly in front of him.
He reaches the door approximately one second too late.
He quickly taps the closed glass door with his hand and looks directly at the driver with a desperate "seriously?" expression.
The driver does not react.
The bus casually begins driving away.
The man freezes for approximately half a second.
He looks at the departing bus.
Then something changes in his expression.
Without saying anything, he decides:
"I'm catching that fucking bus."
He suddenly starts sprinting after it.
The friend filming immediately starts running behind him while continuing to record on the smartphone.
The footage becomes naturally shakier from running.
The man initially runs normally behind the bus.
The bus is moving slowly because of city traffic, making it JUST plausible enough that he can keep chasing it.
He narrowly avoids a pedestrian.
He jumps over a small street obstacle without stopping.
He cuts across the corner of the sidewalk.
His bright orange jacket moves realistically in the wind.
The situation should progressively become more ridiculous, but his facial expression remains DEAD SERIOUS.
He is treating catching this bus like an Olympic final.
A cyclist passes nearby.
For approximately two seconds, the man grabs onto the back of the cyclist's bicycle while still running, allowing himself to accelerate.
The confused cyclist looks backward at him.
The man releases the bicycle and continues sprinting.
The bus slows slightly ahead because of traffic.
He gets closer.
The camera operator is struggling to keep up, breathing and running behind him.
The framing becomes imperfect and occasionally almost loses the man before finding him again.
The man reaches the rear side of the moving bus.
Instead of stopping, he notices a low exterior structural ledge near the rear of the bus.
He grabs onto it.
For a brief ridiculous moment, his feet continue running against the road while his hands hold the bus.
Then he pulls himself upward with believable physical effort.
IMPORTANT: his body movement must respect realistic gravity, weight and momentum.
No superhero jump.
No floating.
No teleportation.
He awkwardly climbs upward using realistic handholds and physical leverage.
The friend filming stops running and points the smartphone upward in complete disbelief.
The man somehow manages to climb onto the ROOF OF THE BUS.
He crawls forward slightly on the roof and finally sits upright.
His orange jacket is clearly visible.
The bus continues casually driving down the street as if nothing happened.
For the final comedic payoff:
The man sits calmly on top of the moving bus.
He catches his breath.
He fixes his hair.
Then he casually checks his wrist as though looking at a watch, visibly annoyed that the bus made him late.
Hold this absurd image for the final 2–3 seconds.
The camera remains on the sidewalk watching the bus drive farther away with the tiny orange-jacketed man sitting on top.
The recording ends naturally.
CAMERA AND REALISM:
The entire sequence should feel captured spontaneously on a smartphone by the SAME friend following the action.
Use realistic smartphone characteristics: natural autofocus, occasional focus hunting, automatic exposure adjustments, rolling-shutter imperfections, realistic motion blur, subtle digital stabilization, handheld shake, imperfect framing, small accidental camera tilts and realistic running-camera movement.
Do NOT use impossible cinematic camera positions, drone shots, slow motion or dramatic Hollywood camera movements.
The person filming must physically remain somewhere plausible relative to the character.
PHYSICS:
Everything must have convincing real-world physics.
Running must show realistic acceleration, momentum and foot contact. Clothing must react naturally to movement and wind. Hands must correctly interact with objects. The bicycle interaction must have believable momentum. The bus must maintain believable speed and road contact.
The climb onto the bus must look difficult and physically awkward rather than effortless.
COMEDIC STYLE:
The comedy must remain completely DEADPAN.
Nobody laughs at the camera. No meme text. No subtitles. No exaggerated cartoon reactions. No visual punchlines added artificially. No comedic sound effects.
The joke is simply that an ordinary man misses his bus and responds with an increasingly insane amount of effort while behaving as though this is perfectly reasonable.
CONTINUITY IS EXTREMELY IMPORTANT:
Keep EXACTLY the same man, facial features, hairstyle, bright orange #FF4900 jacket, black shirt, grey pants and white sneakers throughout.
Keep exactly the same bus throughout.
Maintain coherent street geography.
No unexplained cuts. No character duplication. No clothing changes. No disappearing objects. No morphing faces. No extra limbs or fingers. No broken anatomy. No floating. No teleportation. No gibberish text. No logos.
The final result should feel like ONE coherent 30-second viral smartphone video in which a mundane event gradually becomes completely absurd.Скопируйте и вставьте в нейросеть как есть, на английском: переводить не нужно.
Из чего собран промт
- форматОдин непрерывный 30-секундный комедийный ролик про парня, опоздавшего на автобус на пару секунд
Create a single continuous ultra-realistic 30-second comedic video following the same young man desperately trying to catch a city bus after missing it by only a few seconds. - стильОщущение случайного вирусного ролика от друга, а не рекламы или постановочного скетча
The video should feel like a spontaneous viral clip filmed by one of his friends on a modern smartphone — NOT like an advertisement, movie trailer, polished commercial, or staged comedy sketch. - персонажЯрко-оранжевая куртка #FF4900 без логотипов, чёрная футболка, серые штаны, белые кроссовки
wearing a distinctive plain BRIGHT ORANGE #FF4900 lightweight jacket with no logos or text, black T-shirt underneath, loose dark grey pants and white everyday sneakers. - камераПоведение смартфонной камеры: автофокус, подстройка экспозиции, смазы, несовершенства затвора
Use realistic smartphone characteristics: natural autofocus, occasional focus hunting, automatic exposure adjustments, rolling-shutter imperfections, realistic motion blur - действиеСтучит по закрытой стеклянной двери и смотрит на водителя с отчаянием
He quickly taps the closed glass door with his hand and looks directly at the driver with a desperate "seriously?" expression. - действиеНа две секунды цепляется за велосипедиста на ходу и ускоряется
For approximately two seconds, the man grabs onto the back of the cyclist's bicycle while still running, allowing himself to accelerate. - физикаНеуклюже забирается наверх, цепляясь за реальные выступы, без супергеройского прыжка
He awkwardly climbs upward using realistic handholds and physical leverage. - действиеНа крыше автобуса спокойно смотрит на запястье, будто на часы, и раздражён опозданием
Then he casually checks his wrist as though looking at a watch, visibly annoyed that the bus made him late.






