Промт для Seedance 2.5: капля сыворотки AURA в послеполуденном свете

Begin with the exact composition of the reference image; the first frame is that image.

FORMAT: 15 seconds, wide landscape 16:9 following the reference frame, 5 shots, a hard cut on every one of the four boundaries, no other kind of transition anywhere.
STYLE: quiet premium skincare commercial shot as a real moment in a real room, 8K photoreal, cinematic colour grade, hyper-realistic frosted glass and clear glass, natural late-afternoon window light through half-closed blinds, visible dust in the air; slow, warm and patient, the light dimming as the afternoon goes.
COLOR PALETTE: warm off-white wall, deep warm walnut desk, amber-gold serum, cream matte paper label, matte black dropper cap, sage-grey eucalyptus, clear water and clear glass, with the whole frame drifting slightly warmer and lower in key as the clip runs.
PRODUCT: the exact bottle in the reference image and no other. A cylindrical frosted glass serum bottle filled with clear amber-gold oil, a matte black screw collar and a matte black rubber dropper bulb above it, the glass pipette visible standing inside the oil, and a matte cream paper label with visible paper texture wrapped around the middle of the body carrying the single word AURA in widely spaced thin dark charcoal capitals and nothing else. The reference frame is the only authority on how this product looks. The label, the word AURA, its letter spacing, the bottle silhouette, the frosted finish, the black collar and bulb, the pipette inside and every proportion stay exactly as they are in the reference frame for the whole clip. Do not regenerate, redraw, restyle, re-letter, translate or reword the label, and do not add a second word, a slogan, a barcode, a volume marking or any other marking to it.
SCENE: a solid warm walnut desk with visible open grain, against a plain warm off-white wall. The wall is entirely bare - no shelf, no book, no picture, no poster, no notice and no printed surface of any kind anywhere in the room. Late afternoon sun comes through half-closed venetian blinds off frame left and lays soft parallel bars of warm light across the wall and along the desk, with fine dust drifting slowly through them. A plain clear drinking glass half full of water stands on the desk behind and left of the bottle and throws a bright caustic of light onto the wood. A single sage-grey eucalyptus sprig lies on the desk at frame right. Deep empty wall fills the upper right of the frame. The desk, the wall, the glass of water, the eucalyptus sprig and the direction of the light do not change at any point in the clip; only the light bars creep slowly lower and warmer as the afternoon dims.

0-3s HOOK: hold the reference composition exactly. Frontal medium shot, the bottle a little left of centre on the wood, the glass of water behind it, the eucalyptus sprig at frame right, empty wall above right. The camera is almost still, only the faintest slow inward drift. Dust motes drift down through the bars of light; the caustic thrown by the glass of water trembles very slightly; one narrow leaf of the eucalyptus sprig settles by a millimetre. Nothing else moves. Sound: quiet room tone only, a room with a window open somewhere far off, no music.
HARD CUT.
3-5s SHOWCASE A: extreme macro inside the amber oil, no label and no cap in frame, the frosted glass and the oil filling the whole picture. The camera drifts slowly upward through the oil. A bar of window light refracts through the glass and lies across the oil as a soft amber band, and the surface of the oil holds one slow shallow bow of movement. Sound: room tone, nothing else, very quiet.
HARD CUT.
5-7s SHOWCASE B: medium on the bottle again with the label face-on. The camera orbits about 25 degrees around the bottle at constant height and constant speed, from a slight three-quarter angle toward dead front, so the label turns further toward the lens rather than away from it; a bar of window light travels across the frosted glass and along the matte black collar as the camera moves. The word AURA stays sharp, centred and fully legible for the whole move. Sound: room tone, the faint settle of the desk.
HARD CUT.
7-12s CLIMAX: macro on the black dropper bulb and the mouth of the bottle, the label just below the bottom of frame, camera locked. 7-8.5s at full speed: two fingers and a thumb enter from frame right, only the fingertips and the first knuckle ever visible and never more of the hand than that, close on the matte black bulb and lift the glass pipette clear of the mouth; a thin thread of amber oil runs back off the pipette into the bottle. 8.5-10.5s in slow motion, two seconds taken out of this five-second shot and not added to the clip: a single drop swells at the glass tip of the pipette, hangs, catches the bar of window light and glows through like a small amber lens with the bars of the blinds visible bent inside it, then releases and falls. 10.5-12s back at full speed: the drop lands on the surface of the oil in the bottle, one clean ring spreads out and dies against the glass, and the fingers withdraw to frame right. The shot still ends at 12 seconds. Sound: the small dry click of glass against glass as the pipette lifts, a long soft draw of air stretched under the slow motion, then one quiet plip as the drop lands, then room tone.
HARD CUT.
12-15s CLOSE: hero frame, the same frontal medium composition as the opening shot. The dropper is seated back in the bottle exactly as in the reference frame, one bead of oil sits on the outside of the frosted glass, and the bars of window light now lie visibly lower and warmer across the wall and the wood than they did in the opening shot. The camera settles completely and stops moving. In the empty wall space at upper frame right, well clear of the bottle and well above the eucalyptus sprig, the single word AURA fades up small and clean in soft warm cream, thin and widely spaced in the same letterforms as the label, and holds; no other word, letter or mark appears with it. Hold the final frame perfectly still for the last second. Sound: room tone alone, thinning to near silence as the clip ends.

CAMERA: a movement stated per shot and every one of them slow. An almost imperceptible inward drift on the held opening; a slow vertical drift upward through the oil on the macro; a 25 degree orbit at constant height and constant speed on the showcase; a locked macro on the dropper where the only motion in frame is the pipette lifting, the drop swelling and falling and the fingertips entering and leaving; and a fully settled, motionless hero frame at the end. Macro and long lens throughout, shallow depth of field in every shot, the wall always far out of focus. Focus stays on the bottle, and on the label whenever the label is in frame. No handheld shake, no whip pan, no zoom, no rack focus, and no camera movement that carries across a cut.
AUDIO: recorded sound effects and quiet room tone only, and absolutely no music of any kind - no score, no soundtrack, no instrument, no cello, no strings, no piano, no bell, no chime, no drone, no pad, no melody, no rhythm track, no humming and no singing. No dialogue, no voiceover, no narration and no spoken words of any kind anywhere in the clip. The only sounds are: quiet room tone with a far-off open window under everything, the small dry click of glass against glass as the pipette lifts, a long soft draw of air stretched under the slow motion, and one quiet plip as the drop lands on the oil.
CONSISTENCY: the bottle silhouette, the frosted glass finish, the amber colour of the oil, the matte black collar and rubber bulb, the glass pipette inside, and above all the matte cream label with the word AURA and its letter spacing are identical in every shot and identical to the reference frame. The walnut desk and its grain, the bare warm off-white wall, the direction of the window light from frame left, the parallel bars of the blinds, the clear glass of water behind left with its caustic on the wood, and the single eucalyptus sprig at frame right do not move, change or disappear between shots. Exactly three things change state in the whole clip: the pipette is lifted and returned, one drop falls and rings the surface of the oil, and the brand card fades up in the final shot. The light bars only ever creep lower and warmer, never brighter, never higher, and never change direction.
AVOID: any text, lettering, character, digit or symbol anywhere in frame other than the word AURA on the label and the same word AURA as the brand card in the final shot. No subtitles, no captions, no slogan, no tagline, no second word, no barcode, no volume or ingredient marking, no watermark, no logo overlay, no interface graphics, and no redrawn, restyled, misspelled, mirrored or partly formed version of the word AURA. Nothing that could carry printed matter enters the frame at any point: no book, no book spine, no notebook, no sticky note, no paper, no envelope, no card, no packaging box, no carton, no bottle carton, no magazine, no newspaper, no phone, no laptop, no screen, no shelf, no picture frame, no poster and no signage. No second bottle, no duplicate bottle, no pump bottle, no jar, no tube, no towel, no flower other than the one eucalyptus sprig, no candle, no plant pot. No face, no head, no body, no arm, no wrist, no forearm, no bare shoulder, no second hand, no full hand, no palm, no warped or extra fingers and no extra limbs - never more of the hand than the fingertips and first knuckle of two fingers and a thumb. The serum never lands on skin. The bottle never floats, tips, pours or spills, the glass of water never spills, and the oil never changes colour. No dissolves, no fades between shots, no jump cuts, no whip pans, no speed ramp at any cut, no camera shake. The wall never lightens or turns white, the props never move, the light direction never changes. No music, no score, no instrumental cue, no melodic or rhythmic audio bed of any kind. No plastic or CGI look, no oversaturated or cartoonish grade, no lens flare stars, no sparkle particles, no floating glitter.